ART HISTORY FACULTY

Janis Bergman-Carton specializes in nineteenth- and early-twentieth-century European art with a particular emphasis on French urban modernity, gender, and technologies of reproduction. The Woman of Ideas in French Art, 1830-1848, her first book, was published by Yale University Press and her current book project is titled Convulsive Beauty: Print Culture in the French fin-de-siècle... [+] MORE

Amy Buono specializes in the visual culture of early modern Latin America and the Atlantic world. Buono received her M.A. and Ph.D. From the University of California, Santa Barbara, and her B.A. from the University of New Mexico. [+] MORE

Randall Griffin took his Ph.D. in Art History from the University of Delaware. He was a Wyeth Pre-doctoral Fellow at the National Gallery of Art’s Center for Advanced Study, and then taught a year at Vanderbilt University before coming to SMU in 1993... [+] MORE

Adam Herring is a specialist in the art of the pre-Columbian Americas. He was trained at Princeton University, the University of California at Berkeley, and at Yale University, where his dissertation in art history received the Frances Blanshard Fellowship Award in 1999... [+] MORE

Pamela A. Patton’s research examines the rich visual traditions of medieval Iberia, with an emphasis on the multiple intersections of Iberian visual culture with religious and ethnic identity. Her projects have won grants from the Kress Foundation, the National Endowment for the Humanities, and the Spanish Ministry of Culture... [+] MORE

Lisa Pon received her A.B. and Ph.D. from Harvard, and her M.A. from Washington University. A specialist in early sixteenth-century Italian art, her current research and teaching focuses on the technology of art, the authority of the artist, and the work of art as religious image. [+] MORE

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Eric Stryker (Asst. Professor, Ph.D., Yale) is a scholar of modern and contemporary art, film, and photography, with particular interest in post-war Britain and Europe. His research focuses primarily on the uses of visual technologies in relation to social history, social identities, and cultural geography... [+] MORE

Tejada's research and teaching methods interrogate modern and contemporary image environments from an interdisciplinary viewpoint: a critical art history whose visual knowledge can locate objects and actors in the global-culture context... [+] MORE

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